Archive for the ‘Architectural Photographers’ Category

Planning the perfect day

Monday, July 21st, 2008

Plan for travel and appointments to take longer than usual. The last thing you want on your wedding day is the stress of being stuck in traffic and running late.

Allow between one and two hours between arriving at reception and the receiving line/sitting down to eat. That gives you leisurely time with your guests, time for photography of just the two of you, and time for relaxed group shots.

Appoint reliable ushers who know both sides of the family to help gather people together for photographs.

While most brides want to make a grand entrance in a spotless dress, it’s almost impossible to keep bridal wear that way unless you stay indoors and stand still. Try not to allow protecting your dress limit the photos of you wearing it.

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Deadline near for photography contest

Tuesday, July 15th, 2008

 The deadline for the tenth annual Red Carpet Country Photography Contest is near, and photographs are needed. The association is preparing to publish the 2009 Red Carpet Country Visitor’s Guide and new photographs that capture the beauty and uniqueness of the sixteen counties of Northwest Oklahoma are needed.

Deadline to enter is August 1, 2008(postmark). Contact the Red Carpet Country office for the Rules and Regulations and Entry/Release forms. Photographs with the official entry and release forms may be entered by mailing to: Red Carpet Country, PO Drawer B, Alva OK 73717 or delivered to the RCC office located at 512 Oklahoma Boulevard in Alva.

The Photography Contest has three divisions and thirteen categories per division. All entries must have been taken in the years 2007 or 2008. Photographs must be 3X5 to 8X10 inches in size and matted for suitable display. An individual must enter only photographs taken by themselves.

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The Making Of A Legend

Tuesday, July 1st, 2008

“The first day a photographer took a picture of her, she was a genius,” director Billy Wilder said of Marilyn Monroe. If you don’t count the shot of her taken by an Army photographer when she was working on a World War II assembly line, Andre de Dienes was that photographer. He met Monroe in late 1945, when she was still just Norma Jeane Dougherty, a Hollywood nobody nursing a budding modeling career. The tragic figure, the vamping icon–that was future tense. What de Dienes saw, and captured on film, was simply a beautiful girl out of her mind with happiness at the chance to get in front of a camera.

Many of the pictures in “Marilyn” (Taschen), an extravagantly produced showcase of de Dienes’s work coming in September, have never been seen before. Unseen Marilyn photos? You’d think there’d be a greater chance of discovering a new planet, but yes, indeed, the legend who personified the word “overexposed” just expanded her portfolio. Better yet, these are first-rate pictures, gorgeously reproduced. While a lot of them are corny by current standards (Marilyn with a volleyball at the beach, in a Heidi-like get-up posing with a lamb), even the tritest pose is sincerely affecting. Best of all, she doesn’t look altogether like Marilyn yet. Her hair is darker, curlier. Untrained and uncoached, she smiles too broadly, and she doesn’t quite know how to pose yet. She hasn’t been tweezed to perfection. She’s still wonderfully human.

It didn’t hurt that de Dienes had fallen in love with her the day they met, when she answered a modeling call at his bungalow in the Garden of Allah apartments in Hollywood. He couldn’t have asked for a more obliging model, who almost instantly consented to travel with him for a couple of weeks, from the California desert to the snows of Oregon. Sure, he spent most of the time trying to talk her into bed, and yes, she finally consented, and yes, there was talk of marriage. But for once, the back story is the least interesting part. It’s the pictures he took on that trip that matter.

During his lifetime, de Dienes published many of his Monroe pictures. But he kept hundreds of prints like secret treasure–a true eccentric, he once buried a lot of his work in his Hollywood backyard, where it sat for nearly a decade before he remembered to dig it up. (Fittingly, the new book comes packed inside a huge yellow box–like the Kodak boxes photographers use to store prints and negatives. It’s a triumph of design, with three components, including a facsimile of the photographer’s diary.) Not long ago, the book’s editor, Steve Crist, persuaded de Dienes’s widow to open her husband’s archive for the first time since the photographer’s death in 1984. Only then did anyone realize how much had been lost for so long: striking color photos that had been published only in black and white, dozens of shots never seen before and almost none given the restorative care that–at last–shows what a vibrant, sharp-eyed portraitist Andre de Dienes truly was.

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Scots Duo Host Iraqi Photography Exhibition

Wednesday, June 11th, 2008

A photography exhibition - about life for ordinary Iraqis who have fled their country since its invasion by US armed forces, backed by the UK, five years ago - is being launched by a former Herald photographer.

Commissioned by the Scottish Refugee Council, Angela Catlin travelled to Syria, which is said to have become home, along with neighbouring Jordan, to some two million displaced Iraqis.

The words accompanying the exhibition are by Billy Briggs, who last week finished runner-up in media awards being organised by the Scottish division of Amnesty International.

The exhibition is being staged as part of Refugee Week in Scotland, taking place next week. Catlin and Briggs are both up for an award at media awards being held, UK-wide, by Amnesty next week.

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Into the bloodstream of photography

Friday, May 30th, 2008

They say that when it runs in the family, most likely you will end up taking a route familiar to your loved ones.

This is much true with Carlo “Caloy” Zamora who has shown tremendous growth as a hobbyist ever since jumping into the bandwagon of owning a camera and becoming a photographer. Not only does the competence of his shots confirm his inclination. But that photography seems to be running through his blood veins even before he realized he wanted to take the lensman’s journey.

“My family is always my model and subject whenever I practiced my photography,” says Caloy who, through the statement, is both expressing his affection for his wife Mabel and their three kids, as well giving a hint as to how significant is his bloodline to his special interest.

Caloy’s family finds photography an effective medium to explore on and in very sensible ways, give extra credence to their name. Here is a rundown: Caloy is brother to respected veteran lensman Chie Zamora, brother-in-law to photojournalist Sonny Mijares, uncle to the young and talented lady photographer Michie Zamora, and father to 14-year-old Juan Carlo, his eldest son who already graduated at the noted FPPF basic and advanced photography workshops.

It was Chie’s generosity that gave Caloy the ‘go’ signal to enter photography which seemed like the natural course for their breed. One time his brother gifted him with a Nikon D70 digital camera, something enough to let the ball start rolling.

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College photography students make an impression

Sunday, May 25th, 2008

I firmly believe the eight students in Kevin Moloney’s advanced photojournalism class at the University of Colorado at Boulder, are headed toward fulfillment in whatever they do for their livelihood. This is because they follow learning and preparation by analyzing their results.

They presented their portfolios for final critiques on May 3. The discussion among the students and a jury of four evaluators was quite meaningful.

The jury was made up of Joanna B. Pinneo, a longtime contributor to National Geographic magazine and a documentary photographer; Beth Wald, a National Geographic contributor known most frequently for her work in the world of extreme climbing, Glenn Asakawa, a Pultizer-winning photojournalist who has worked for the Boulder Daily Camera, L.A. Daily News, Rocky Mountain News and Denver Post.

When we make the time to record our answers to these questions, we construct the wonderful foundation for learning, understanding and appreciation. Everyone benefits.

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Photography tips from a Breckenridge expert

Thursday, May 15th, 2008

This will be my fourth summer in Colorado and my seventh year working as a professional photographer. This will hopefully mark the first of many articles on photography I will be writing to the readers of the Summit Daily. Hopefully my photography tips and tricks will lead you to create stunning images of your own.

Everyone is a photographer. Whether we photograph with a $5,000 SLR or a simple camera phone, we are all still searching for meaning in our images.

I imagine many of you started off as I did, with a hand-me-down camera from my parents when I was a small child. I photographed everything.

Flowers, friends and of course the family pet. The subjects themselves had meaning for me, but the meaning never translated through the images.

Twenty years later something has definitely changed. Today, I have top-of-the-line equipment, years spent acquiring technical skills, and a career that enables me to travel to amazing places and photograph beautiful people, but none of those things help give my images meaning.

What has really made the difference is the way I think about creating images. When I see a potential photographic subject that interests me, I don’t immediately photograph it like I would have 20 years ago.

I stop and ask myself what about the subject makes it interesting. And the answer I usually give myself has to do with some emotional response I have.

I concentrate on that emotion and make it the subject of my image.

For instance, last year I visited the Denver Zoo. My original desire was to make some pretty images of animals, and that is definitely how I started out. It changed when I came to the primate exhibit and saw the gorilla shown in the accompanying image.

We stared into each other’s eyes for several minutes, during which time I completely forgot about my camera. I was so moved by the experience, but before I could think about photographing the gorilla, I had to think about what it was that moved me. It wasn’t that it was trapped in a cage.

In fact, I was quite certain that if it had wanted to, it could have broken right through the thin chain-link fence. That is when it hit me. The gorilla wasn’t really imprisoned by the fence at all. He was really trapped in his own mind. It was a reluctant acceptance of the situation that held him behind the chain link. I became certain that if the fence was removed, he would have stayed right where he was. And that was when I was able to create the image of him.

I hope that next time you are out photographing you take this to heart, and think carefully about the meaning behind the image. Concentrate on the emotion that the subject evokes and not the subject itself, and you will see a huge difference in your photographs.

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Swindon woman wins photography competition

Wednesday, May 7th, 2008

As well as winning a fantastic Fujifilm digital camera, Caroline’s photo will be on display at the acclaimed Proud Camden gallery in London, from 19 June until 6 July. Caroline will also be invited to a glittering awards ceremony at the Photography gallery, where she will rub shoulders with some of Mencap’s celebrity supporters.

Snap! is Mencap’s photo and story competition, now in its sixth year. The competition, run by the UK’s leading learning disability charity, showcases the talents of people with a learning disability through photographs and inspiring stories to increase understanding of learning disability by those closest to it. The photographs are either taken by or feature someone with a learning disability and are accompanied by a short descriptive story.

Caroline won a gold award in the Through my eyes category. Caroline’s photo, entitled Is that me’, showed Caroline looking at herself in the mirror and was accompanied by the following story: This is a picture of my daughter Caroline. She has Photography severe learning difficulties and epilepsy. She has at least one seizure a day. Caroline has no speech but talks with her expressions and leading me to what she wants.

What I love most about her is her smile when a person speaks to her. She will go right up to their face and look so intently into their eyes, and study them. She is so gentle and placid and when you really get to know her you cannot help but love her.’ Judges for this year’s competition included, Rankin, iconic fashion and celebrity photographer; Alex Proud, founder of Proud Galleries in London; and Eamonn McCabe, photographer and former picture editor of the Photography Guardian.

Rankin comments: “Using photographs and stories together gives a unique insight into a person’s life. The judging was a really tough job, as the standard of entries was Photography  outstanding and I was really impressed by the creativity shown.”

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Maximum exposure

Saturday, May 3rd, 2008

Are the words “point and shoot” your photo salvation Then this is your tour.

Start with coffee and pastry in Brookfield Place, perusing the on-site Photo Narratives: Remembering the 20th Century exhibit as you sip. This show of classic photojournalism offers a great starting point for discussion.

Next, check out Half a Chance at Metro Hall for a current example of social justice photography, one of the form’s long-standing genres.

From there, plant your eyes under the Gardiner Expressway. Vancouver’s Rodney Graham has made massive upside-down tree pics for decades. Here, they lend traffic mayhem a smile-worthy touch of the surreal.

Stroll north to Fresh &Wild for a sandwich, taking in the street life through its massive windows. Then go see Michael Awad’s Entire City Project at Nicholas Metivier Gallery, featuring incredible panoramas ofboulevards worldwide.

Next, head to the MOCCA. This primary exhibition for Contact offers Nan Goldin’s sexy, tragic and touching slide show of passionate New York boho life and Brit Martin Parr’s quirky takes on tourist photography.

Finish your day at the Gladstone, and Henrieta Haniskova’s portraits of imitation hunka-hunka-burning-love from the 2007 Collingwood Elvis Festival.

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Holladay’s Photo Emporium wins photography awards

Sunday, April 20th, 2008

Photographers from Holladay’s Photo Emporium in Downtown Safford were recently honored by the Arizona Professional Photographers Association. Each year, the Architectural Photographers association holds a photography competition. Awards are given to entrants with the highest scores.

Kristen Seale, Dale and Janice Holladay each received recognition as one of the Top Ten Photographers in the state of Arizona. For one studio to have three photographers named to the Top Ten is very unusual and an outstanding accomplishment.

Kristen Seale also was honored with the Artisan Award for outstanding service to the Architectural Photographers state association. She is serving as past president of the association.

The public is invited to view the award-winning photographs displayed in the front windows at Holladay’s Photo Emporium on Main Street in Safford.

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