Archive for May 12th, 2008

One Shot merges photography with choreography

Monday, May 12th, 2008

When choreographer Ronald K. Brown was approached about creating a dance that incorporated images by a photojournalist, he had a shock of recognition.

Postcards of Charles “Teenie” Harris’ work had been hanging in Brown’s apartment for a decade.

“I knew these images well but had no idea who had taken the photos,” Brown said. “I was drawn to Harris’ world immediately.”

Brown’s Evidence, A Dance Company will perform One Shot tonight at the Wortham Theater Center. The multimedia dance was commissioned by the August Wilson Center for African American Culture and is being presented here by the Society for Performing Arts Houston and DiverseWorks.

Starting in the mid-1930s, Harris documented four decades of Pittsburgh life as a photographer at the Pittsburgh Courier. He captured the urban existence of middle-class African-Americans; photographed jazz stars such as Duke Ellington, Lena Horne, Ahead Jamal and Sarah Vaughan; and was on hand to record the burgeoning civil rights movement. Harris died in 1998.

Brown organized Harris’ photos into categories such as “Free Spirits” and “Faith and Decadence,” to give a structure to the dance.

Harris’ elegant photos come and go, change shape and size, move in and out of focus, and to some extent are choreographed as well.

“I wanted the photos to have a movement presence on stage,” he said. “I didn’t want to make it a slide show.”

The interplay between the images and the dancers created a lively juxtaposition, Brown said. “The dancers actually partner with the photos. Sometimes the dancers turn around and look at them, as if to acknowledge these faces from the past.”

This work is not the first time the New York choreographer, who started his company at age 19, has merged photography and dance. As part of a residency through the Cynthia Woods Mitchell Center for the Arts at the University of Houston, Brown worked with dance and photography students simultaneously to demonstrate how telling a story is where the two art forms meet.

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Sculpture show carves creative niche

Monday, May 12th, 2008

Unless you’ve been avoiding art shows for the past 20 years or so, you know that contemporary art is no longer about just painting, or printmaking, drawing, photography or sculpture.

The old separations between 2-D and 3-D have steadily eroded, a trend that has evolved along the lines similar to the increasingly missing boundaries between fine art and craft.

It’s no longer unusual to see an art exhibit that contains works made up of such disparate and unusual materials as cardboard paper towel rolls; a monitor showing the artist creating a painting, erasing it and creating another painting, erasing that, and so on; a work that combines not only drawing, painting, printmaking and photography, but also ceramics, metalsmithing, glassblowing, and as if that weren’t enough, a soundtrack thrown in for good measure.

It’s the Wal-Mart effect: every medium you ever wanted to see all in one place.

As Parsisson notes in his curator’s statement, ”contemporary sculpture has few if any agreed-upon boundaries or defining characteristics and often seems to defy attempts at definition.”

So Parsisson set about to assemble an all-sculpture show, the first to be exhibited at Summit Artspace, but one that’s less complex, more approachable than some of those encountered at contemporary art museums and galleries.

”It was a traditional curating,” Parsisson noted. ”I invited artists to participate. I had sent out a call for artists who did three-dimensional work, and from that I just built an image in my head of the show I wanted to do.

There are 29 works in the show, ranging from traditional sculptural materials such as stone, ceramics, wood and metal to less traditional media such as wax, cloth and found objects.

Budd, for instance, created five small wax sculptures, not molded, but carved from blocks of variously tinted wax and adorned with pins, gold leaf, cord, hair, copper mesh, synthetic pearls and a fishhook. It’s mind-blowing to try to imagine how she managed to weave copper wire, for instance, over the delicate surface of a wax form without scratching it.

Depending on your frame of reference, you may see in these works allusions to women’s work, female adornment or a feminized version of African fetish objects. Or perhaps all three in various measure.

In this, Budd’s work epitomizes the qualities that Parsisson sought for the show: ”The best art operates on at least two levels; first as an engaging presence that captures our attention; and second as a portal that asks us to look beyond itself to some larger, transcendent truth. A truth that we must often discover for ourselves.”

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Photography exhibition at Marriott

Monday, May 12th, 2008

In another proof of its commitment to distinction and its constant search for innovation and artistic excellence, the Doha Marriott Hotel is hosting a photography exhibition by renowned photographer Ayham Hassan at Caf? Trottoir. The exhibition portrays a photographic tour of Qatar from behind the lens.

Ayham Hassan is a professional photographer whose images can be recognized by richly evocative and intimate reflections. Hassan says that the journey into the realm of photography began as a hobby at first, and soon developed into a passion of lenses, colors, and style. To him photography is a passion and a process of creation.

Speaking on the occasion, Saeid Heidari, General Manager of Doha Marriott Hotel, said, “To us, this exhibition is a chance to bring art, innovation and all that is beautiful under one roof. The Doha Marriott Hotel is accustomed to presenting all that is modern and new and that caters to the different tastes of its customers.”

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RHS students earn Times scholarships

Monday, May 12th, 2008

Gloucester High senior Cecely Nutting has a wide variety of interests, from art and photography to horseback riding, antique sports cars and hockey.

A resident of Rockport and the daughter of Cheryl and Phil Nutting, Cecely said her mother encouraged her to apply for the scholarship — formerly the Eagle-Tribune scholarships.

“I got a letter in the mail” informing her about the scholarship and “it was a little bit of a surprise,” said the B student with a broad smile.

Cecely, who has a 15-year-old brother, said she’s always been into design and art for as long as she can remember.

“I also started taking pictures this year,” she noted, adding she prefers landscapes and seascapes to portraits. “It’s easier,” Cecely added.

Of course, there are plenty of subjects to shoot in her hometown of Rockport, which she loves.

“I’ve been playing hockey since middle school when I played for a town team in Rockport, but they don’t have a girls’ hockey team at the high school,” Cecely said. So, she decided to become a Fisherman. Yes, Cecely said, they even refer to the GHS girls’ hockey team as the “Fishermen.”

“I’ve played every position but center and goalie, and my favorite is defense,” she said.

Cecely said she got into hockey because of her dad. “He got everyone into it,” she said. “Now he’s the chauffeur and he carries all the bags.”

The active young woman, who also baby-sits to make extra dough, said she doesn’t have any favorite hockey player, explaining, “I’d rather play than watch.” But she does have a hero — her grandmother, Beverly Spofford of New Hampshire.

“I admire her because she’s so active and full of life,” Cecely said. “She lives with a great amount of passion even though she lost both her first husband and her sister.” Spofford is her mother’s mother.

Despite her other interests, her favorite subject this year in school was psychology.

But she’s certainly that interested in horseback riding, which she does at a private farm in Essex. She even has a favorite horse: “Munchy. I’ve been riding him for six or seven years. But he’s getting old.”

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