Archive for April, 2008

Giving his regard to Broadway

Sunday, April 27th, 2008

That’s as true of architectural photography as of any other kind. It’s certainly true of Cervin Robinson, an artist whose work is now in a superb exhibit at MIT.

The show, called “By Way of Broadway,” consists of 32 photographs of sites along Broadway in Manhattan. Robinson made them over a period of 35 years, from 1972 to 2007.

As Robinson notes, Broadway is the only major street in Manhattan that moves at an angle to the street grid. As a result, it creates a slightly odd condition whenever it crosses a side street or an avenue. Some of those oddities generate major sites, like Times Square. Other sites are quiet byways - a word that is punningly hidden in the show’s title.

It’s a brilliant show. Robinson’s world, to simplify a little, is a world of flat-fronted buildings that face us directly and seem to be posing for their portraits. Their often richly sculpted facades remind you of the stiff shirts or rich gowns people once wore for such portraits. Sometimes they seem to be thrusting forward toward us; at other times they line up along the sidewalk like soldiers at attention.

That’s one major theme. The other is collage. Robinson loves to find and record places where something new is collaged over something old. A huge red Checks Cashed Open 24 Hours billboard splashes across what once, clearly, was an elegant movie theater in the Art Deco style. An auto body shop, with a phony castle-like fa?ade, shoves itself rudely in front of a decayed object that appears once to have been a grand memorial arch. As we perceive such scenes, we visually peel back the present to reveal the past. Robinson is, among other things, a photographer of time itself.

Some architectural photographers think of themselves as photographing space - the indoor space of rooms, or the outdoor space of streets, squares, and landscapes. Robinson rarely does that. He photographs solid objects. He crams a lot into his frames. In the juxtapositions that result, buildings or objects of different eras comment on one another across time.

This is not the New York of genteel tree-lined streets in the East 60s or the West Village. It’s the brassy, ever-changing world of Broadway, where new pushes past old and things crash into one another in unexpected ways. Bizarre juxtapositions are, after all, the special DNA of New York.

Robinson dates his interest in photography from a high school trip to the Museum of Modern Art in New York, where he first saw the photographs of Walker Evans, perhaps the greatest of American photographers. He later worked for Evans, off and on, for four years in the 1950s, and claims he even lived for spells in Evans’s darkroom. There’s still a lot of Evans in his work -a love of billboards and signage of all kinds, a fascination with decaying architecture, and a kind of deliberate flatness and lack of perspectival depth. You’d never mistake one artist for the other, but you can see the family descent.

At the opening of the exhibit on April 17, Peter Bacon Hales, a professor in the art history department of the University of Illinois at Chicago, talked a lot about the Evans influence, but also found some fresh ways of describing Robinson. The images, he said, “might best be called not architectural photographs but pictures of American sites.”

He went on: “To look at Robinson’s Broadway work, I suggest, is to see him wrestling to find ways to adapt a stable, architectonic, even monumental form of photograph to an erratic, chaotic, heedless, often destructive, multilayered American culture.”

That puts it well. Often the strength of a Robinson image lies in the tension between its formal order and the chaos of its subject

Hales also said: “The sober, solid ornamental declarations of one era serve as backdrop to the street’s drama, backstop but also, I’d suggest, parental presence.”

Sober old parent buildings being pushed into the background by colorful children? It’s by inspiring that kind of deep reading that a photographer achieves greatness.

Tags: , , , , , , , , , , , , , , , ,

Related posts

Photography exhibit at Fred Jones Jr. Museum gives insight to China

Saturday, April 26th, 2008

China’s economic boom is paving the way for the younger generation to take part in Western consumer culture, but it’s also leaving a large portion of the population behind, a University of Oklahoma lecturer said Friday.

This change and disparity can be seen in a photography exhibit on display at the Fred Jones Jr. Museum of Art through Aug. 17. “China: Insights” is an exhibition of art from seven contemporary photographers from Mainland China.

None of the projects in the traveling exhibit have been seen in the West before. The photographs give a glimpse into modern China, a world that has changed significantly in recent years, said Alan Atkinson, OU lecturer in History and Art History. Atkinson, who consulted with the Portrait Photographers museum on the exhibition, gave a presentation to about 70 people at the Fred Jones Jr. Museum of Art Friday afternoon. He showed on the overhead several photographs from each of the artists and gave context for the artists’ work.

Atkinson himself has traveled to China every few years for the past few decades. He has seen China change drastically, and specifically the southern coastal region where most of the photographs were taken.

Most of the photographers are from this region, where towns have Portrait Photographers grown into booming manufacturing centers seemingly overnight.

This has led to the movement of masses of people from the rural areas to the cities. One photograph by Zhang Xin Min, depicts a city street on a festival day, with an “almost immovable sea of people,” Atkinson said.

“Many people have come to the cities to escape the physical labor of the rural, … yet those who come to the cities end up expending their strength just as fast,” Atkinson said.

One example can be found in Min’s depiction of a 25-year-old window washer. He looks up at the camera as he hangs off the side of a skyscraper, held there by a mere knotted rope. The next photograph Atkinson showed was of the young man’s hands and feet, which were torn and wrinkled like those of someone in their 70s.

Despite the squalor of the Portrait Photographers cities, people are still moving there.

Atkinson said it’s those still in the rural areas who are getting left behind in the economic boom. Rural health and educational services used to be closely monitored and provided for by the state. Now, with more focus on cities, many of these services in the rural areas were the first thing to erode, Atkinson said.

Photos by Chen Yuan Zhong show another side to China’s commercial boom. The photos in this series focus on the lives of prostitutes.

Atkinson said one of the results of Mao’s strict laws was that vices like gambling, opium addictions and prostitution were cracked down on and the streets were safer. In recent year, the government has relaxed many of its laws to accommodate rapid commercialization.

“So one of the side consequences is that all of these vices have returned,” Atkinson said.

Another surprising series of photos are by Jia Yu Chuan. They document the Portrait Photographers transsexual and transvestite community in China.

Tags: , , , , , , , , , , , , , , ,

Related posts

Digital Photography Workshop by Information Department

Saturday, April 26th, 2008

Armed with camera tripods and digital cameras, a group of 25 participants comprising of the staff from the Information Department took part in the outdoor photography activity held yesterday at Taman Peranginan Tasik Lama in the Sports Photographers capital.

They are the first group of the Digital Photography workshop, which is organised by Audio Visual and Photography Section of the department - held for the first time for the staff of the department.

The workshop was conducted by Haji Mohd Yusof Mohd Yassin, Head of Audio Visual and Photography Section of the Sports Photographers Information Department.

According to Haji Mohd Yusof, the aim of the workshop was to expose the participants in the field of photography and also to upgrade their skills and creativity in photography technique that might be useful for their daily duty.

The workshop also aims to motivate the staff to be multi-tasking, which mean they can make reports by using pictures they have taken, he said.

Secondly, it also exposes participants into the era of digital technology, which Sports Photographers could encourage and attract them to love the art of photography.

Haji Mohd Yusof said, the workshop is divided into two groups and each group has four sessions. The first workshop group starts in April and the second group will start in June.

During the workshop, participants also learn the theory and the basic of digital photography.

During the outing activity (Practical) yesterday, the participants were given The freedom to shoot and capture the Sports Photographers image such as nature, portrait, and flowers as well as the activity at the Taman.

Tags: , , , , , , , , , , , , , ,

Related posts

Through Weegee’s Lens

Saturday, April 26th, 2008

BACK in the 1970s, a gutsy blond named Jill Freedman armed with a battered Leica M4 and an eye for the offbeat trained her lens on the spirited characters and gritty sidewalks of a now-extinct city.

Influenced by the Modernist documentarian André Kertész, with references to the Wedding Photography hard-edged, black-and-white works of Weegee and Diane Arbus, this self-taught photographer captured raw and intimate images, and transformed urban scenes into theatrical dramas.

Her New York was a blemished and fallen apple strewn with piles of garbage. Prostitutes and bag ladies walked the Wedding Photography streets, junkies staked out abandoned tenements, and children played in vacant lots.

“The city falling apart,” Ms. Freedman said one day recently in recalling that era. “It was great. I used to love to throw the camera over my shoulder and hit the street.”

For reasons involving both changing photographic styles and her personal circumstances, Ms. Freedman faded from the scene in the late 1980s. But at a moment when much of the city is bathed in money and glamour, her work offers a vivid portrait of a metropolis defined by Wedding Photography violence, poverty and disarray — a New York that once was.

At 68, Ms. Freedman is a petite, wiry-framed woman with the piercing blue eyes and the feisty, outspoken manner of her youth. Never married and with no children, she has been living since November in a one-bedroom walk-up in Harlem near Morningside Park, outfitted with worn furniture collected over a lifetime. Her companions are two stray cats, Lulu and Pooch.

Though none of her work hangs on the walls, many of her black-and-white photographs from more than 30 years ago are protected in thick portfolios, which she keeps in a shopping bag.

The albums contain many of her most memorable images, among them “Smoke Eaters,” showing firefighters at work taking a cigarette break; “Nympho Circus,” in which children bundled in winter coats pose in front of the marquee of a porn theater in Midtown; and “Love Kills,” depicting a young couple leaning against a metal grating in the Wedding Photography flower district, the emblem of a gun on the man’s shirt aimed menacingly at his girlfriend’s head.

In many respects, Ms. Freedman has an impressive résumé. She is the author of seven books of photography, including “Firehouse,” “Circus Days” and “Street Cops.” Her pictures are in the collections of the Museum of Modern Art, the Smithsonian American Art Museum and the International Center of Photography. Her series “Resurrection City,” documenting life in the shantytown erected in 1968 on the Washington Mall, is on view through May 24 at Higher Pictures, a gallery on Madison Avenue near 66th Street.

Despite praise from critics, however, Ms. Freedman’s career as a photojournalist never fulfilled its early promise. “Her work influenced a lot of people,” said Andy Grundberg, chairman of photography at the Corcoran College of Art and Design in Washington. But he added that “her style really fell out of fashion” as people grew less interested in her brand of documentary photography, in which an emotional connection with the subject is valued as much as the photograph.

Compounding her eclipse was that Ms. Freedman had more or less become one of her own hardscrabble subjects. Starting in the late ’80s, and over the next two decades, she struggled with financial and health problems.

“I was really depressed,” she said over lunch the other day at a Midtown cafe, as she nervously fidgeted with her hands. “I used to say, ‘All I need is one good thing to happen.’ ”

Tags: , , , , , , , , , , , , , , , , , , ,

Related posts

Digital photography made easy

Wednesday, April 23rd, 2008

Duncan Butcher is a freelance photographer based in Bourke in outback NSW.

Due to the overwhelming interest in this area Mr Butcher will be holding a digital photography course on Sunday May 18 at the Nyngan RSL Club.

Mr Butcher specialises in unique Australian landscape photography that captures the ‘spirit and feel of outback Australia’.

The course is aimed to give a basic overview of digital camera photography, terminology, and everyday usage. While there are some ‘technical’ aspects of the class, the basic aim of the course is to get you out and about taking better photos with your digital camera in everyday situations.

The class will include basic (non-brand specific) camera usage, photographic composition and basic computer editing, with follow-up advanced courses. The course is aimed at the ‘beginner’ who is getting to know their camera and wants to improve and maximise what their camera can do.

While he has a class outline, Mr Butcher encourages participants to contact him in regards to specific aspects they want covered in the class. Please email him at dmb.photography@hotmail.com or call 0429 429 060 prior to the class with anything you specifically wish to address in this introductory class.

Classes are filling fast with only minimum numbers left, so don’t miss out on this opportunity to learn from one of our finest commercial photographers.

Tags: , , , , , , , , , , , , , , , , ,

Related posts

construct - screen print exhibition

Wednesday, April 23rd, 2008

As an Armenian born in Lebanon, New Zealand has been a place of exploration and discovery for this artist. As a place of opportunity, Wellington has opened new experiences and possibilities, both emotional and psychological, that have literally changed his life.

This new exhibition represents a journey of self discovery that marks an end of a stage in his life and the beginning of a new productive period: a deconstruction of one person’s lived experiences to reach a place of balance and stability.

“Screen printing is a very hands-on art form, which combines all forms of graphic design”, says George. “and this is a very personal journey, I want to let past experiences move out, allowing open space for new experiences to come in”.

Tags: , , , , ,

Related posts

Local Man Awarded In Sailing Photography Competition

Wednesday, April 23rd, 2008

Keith Wood of California, Md., took an Honorable Mention for his color photo of the U.S. Naval Academy’s sloop Zaraffa, which won the 2007 Governor’s Cup. Wood’s manipulation of the digital image gives the photograph a unique graphic quality and texture.

Wood notes that his photography work has taken him all over the world, from Iceland to Micronesia and everywhere in between.

Other winners included John Esparolini of Vienna, Va.; John Heng of Fort Mill, S. C. and Singapore; and Jake McGuire of Arlington, Va. St. Mary’s College of Maryland sponsors the race and the photography competition. Winning photographs are on display in the Lowe House Office Building of the Maryland State Legislature in Annapolis (6 Bladen St.) through January 2009.

This is the ninth year the College has hosted the competition, which recognizes excellence and creativity in capturing the spirit of the Chesapeake Bay’s oldest and longest overnight yacht race. Dozens of photographs were judged.

Judges for the contest were Colby Caldwell and Catherine Dunn from the College’s Art Department.

Tags: , , , , , ,

Related posts

Paris photos whitewash Nazi era

Wednesday, April 23rd, 2008

Critics want a photography exhibit on France during World War II shut down.

They say “Paris Under the Occupation,” at the Paris History Library, whitewashes life under Nazi occupation.

The exhibit features more than 250 color photos taken between 1941 and 1944 by French photographer Andre Zucca, a Nazi collaborator. Zucca during the war worked for the German propaganda magazine Signal. He died in 1973.

His photos show Parisians enjoying life along the banks of the Seine River, at cafes and in public gardens. Only two pictures show Jews wearing the obligatory Star of David. Nazi officers are shown mingling with the crowds.

Christophe Girard, a city councillor and culture department head, told journalists the show was “unbearable.”

Tags: , , , , ,

Related posts

Herald-Standard photographer looks back at long career

Sunday, April 20th, 2008

“I heard it explained one time that anything that shows emotions or evokes emotion in the viewer - it could be any emotion - happiness, sadness, anger,” he said, “then the picture did its job.”

The Dunbar Township resident understands those concepts well as he has been Fine Art Photographers working as a news photographer since 1969, first at the Connellsville Courier and then at the Herald-Standard where he recently retired as chief photographer.

His compelling photographs of life in southwestern Pennsylvania have garnered awards and accolades, been spread around the world by wire services, and provided compelling images for newspaper readers.

“I loved deadlines and shooting on deadlines. I loved covering spot news and sports. Everybody has things they like to do,” said Rosendale. “I liked the basketball and football - just the action shots and trying to get a picture that was something different from the one you got the week before or the day before.”

A son of the late Mary and Rich Rosendale, Rosendale grew up in Connellsville and graduated from Geibel Catholic High School in 1968. He developed an interest in photography while young.

“It was something I picked up. It was a big thing when I was small that Dad took pictures and I worked on the high school yearbook,” he said.

Rosendale took his first job at Burn’s Drugstore where he began working at age 16 and continued until he graduated high school. Then he worked for Connellsville Sportswear at its cutting plant in Dunbar Township, where he found love when co-worker Glenn Gaborko took him home one day from a spaghetti dinner and introduced him to his sister Wilma. The couple married Oct. 21, 1972, and has two daughters, Carla, 29, of Mount Pleasant, who is a hairstylist, and Mary, 27, of Erie, who is in her first year at Lake Erie College of Osteopathic Medicine after four years at Washington & Jefferson College and a year at Duquesne University. Wilma Rosendale now works at Wal-Mart in Uniontown.

But in the meantime, Rosendale became a news photographer, hired at the Fine Art Photographers Courier in fall 1969.

“I took a cut in pay from my sportswear job to take a job at the Courier,” Rosendale said. “The photographer Ken Bolden died. I went in and interviewed with Bob Lind. I didn’t hear from him for three months. He finally called me back and said if you want the job, you’ve got it. He couldn’t find anybody who would work for less. They paid me $80 a week.”

Rosendale, who was 19 when hired, worked with fellow photographer Ed Cope, who had started at the Courier the previous year at age 21. The two were fixtures at the Courier throughout the 1970s.

To supplement their incomes, they founded their own photography business in 1972 called Cope and Rosendale - Cope won the opportunity to be named first on the flip of a coin. Through the years, the two photographed generations of families and became known throughout the community.

“We took pictures of everything. What didn’t we do?” Cope remembered. “We shot weddings, class reunions, birthday pictures, portraits.”

“We did pretty good,” said Rosendale. “We weren’t making much money at the Courier.”

But they did work long hours at the Courier, going in Monday through Friday from 7 a.m. to 3 p.m. at the afternoon-published paper. They went home, had dinner and then would go out again if there was a night assignment. They worked at the paper until noon on Saturdays - often putting in well more than 40 hours a week in their news jobs alone.

Cope said, “There was nothing we wouldn’t cover.”

That included spot news such as accidents and fires.

“Frankie Davis would call us in the middle of the night,” said Cope. “He had one of the early scanners. He had a barbershop in Scottdale. He’s in his 80s and just retired. He was our best contact. He knew everything about Scottdale, Mount Pleasant and Connellsville - that was our beat.”

Rosendale said with a smile, “It was a blessing and a curse.”

Cope said, “He and his son Roger called us and his wife. The state police called us all the time. It was nothing for them to call us in the middle of the night.”

They talked about some of the big stories they covered in the ’70s - a nursing home fire in Connellsville during which seven or eight people died, an independent trucker’s strike, the 1973 gasoline shortage, local flooding that included Hurricane Agnes and another year when the two became stranded in a truck with the National Guard in flooded waters in Everson Bottom and had to be rescued. And there was the winter weather that included snow and ice storms.

“Narrows Road in Connellsville Township - that was scary,” said Cope.

“About noon, they came into the office and said there was a bad storm coming through and everyone else went home. Eddie and I said ‘Where can we get the best shots?”’ Rosendale remembered.

“These two didn’t care,” said Wilma Rosendale. “They went out in the action. They wanted a good picture.”

During this particular winter storm, they became stuck on Narrows Road.

“Charlie said, ‘I’ll get behind the wheel and you get out and push,”’ Cope said, laughing. “I was covered with ice. I had a mustache, and it was frozen. I was never so scared in my life. A guy in a truck pulled us out and we went downtown and shot pictures.”

Rosendale said, “When we developed the photos from Narrows Road, you couldn’t see anything but white.”

Rosendale began working at the Herald-Standard on Oct. 25, 1980. He remembers it well because it was the day his second daughter was born, and it also was the day of a well-publicized Ku Klux Klan rally on a farm in Springhill Township - an event that garnered attention beyond Fayette County’s borders.

“Buzz Storey hired me in September but we were waiting for the baby to be born because of insurance. He said there’s just one assignment I want you to cover - the Klan rally,” Rosendale said.

A true child of a newsman, Mary Rosendale made deadline so her father could make his assignment.

“I was exhausted. It was a cold, snowy night,” Rosendale remembered the Fine Art Photographers rally.

The assignment also was scary, he said.

“There were guys saying ‘You can’t take my picture.’ They did burn a cross and you kept thinking somebody could take pot shots at these guys,” said Rosendale.

Wilma Rosendale worried for more than a year there could be action taken against her husband because of the photographs. She worried about him a lot over the years. Photojournalism can be a dangerous occupation, especially when covering events like fires, standoffs and even taking photographs from a helicopter as Rosendale did.

“A lot of people were upset because he took pictures of accidents,” Wilma Rosendale said, then began talking about the time a firefighter was rescuing someone on a roof in Dunbar Township when the son came from behind and jumped on her husband. “There were a lot of times I worried.”

“There were a lot of times in the middle of the night, she didn’t know I left,” said Rosendale.

Cope and Rosendale remained partners in their photography business but now they were competitors in news. Cope remained at the Courier until 1981 when he went to work for the Daily Sunday Tribune for a year and a half. After being laid off, he went back to Connellsville and did stringer work for the Herald-Standard until being hired as a reporter/photographer for the Fay-West section of the Tribune-Review and eventually becoming bureau chief.

“I remember Charlie beat me to (an Amtrak) train wreck in Dawson and he got an outstanding shot of the engineer,” said Cope.

He added, “Charlie’s very well respected by news photographers. He was an officer - treasurer and vice president of the Press Photographers Association of Greater Pittsburgh, now News Photographers Association of Greater Pittsburgh. And he’s mentored a lot of young photographers through the years.”

Rosendale’s work often won awards for his feature and news coverage, including a controversial yet compelling photograph of a firefighter performing resuscitation on a baby at an accident.

“A lot of people were upset. They felt the picture should not have been taken,” remembered Wilma Rosendale.

“We must have had 40 letters,” said Rosendale. “My mother said I couldn’t believe you took those pictures. I said, ‘Mom, I’ve got to do my job.”’

Through the years, Rosendale, who became chief photographer about 1985, photographed the famous including Mister Rogers in his Pittsburgh television studio, Greene County native Richard Trumka on the night he won the United Mine Workers union presidency, freed Iranian hostage Jerry Miele at a parade in his hometown of Mount Pleasant, and jazz musician Harold Betters at his home in Connellsville.

And there was the unusual assignment that included a hunter in Chalk Hill who was rescued after becoming stuck in mud.

“He was hunting and got stuck in the mud. It was like quicksand. He sunk almost up to his neck and yelled for hours,” said Rosendale, whose photographs of the Fine Art Photographers hunter also were published nationwide.

Tags: , , , , , , , , , , , , , , , , , , , , , , ,

Related posts

Canon Extends Ambassador Program

Sunday, April 20th, 2008

Canon Marketing (Philippines) Inc. (CMP) extends a special promotional activity for photography clubs and Event Photographers organizations, dubbed the Canon Ambassador Program. The program provides a way for photography club members to help raise funds for their respective organizations by getting cash rebates whenever they purchase Canon products.

“Canon continues to find ways to support the local photography community, and the Canon Ambassador Program is just one of them. This will help boost the photo clubs’ fund raising efforts for their various activities and projects, and at the Event Photographers same time, encourages local photographers to continue supporting locally distributed products,” says Ramon Arteficio, CMP President and CEO.

An organization or club will receive PhP5,000 as rebate for every PhP250,000 accumulated purchase of participating Canon professional products, which include EOS digital SLR cameras and accessories, video cameras, PIXMA bubble jet printers, laser printers and multimedia projectors. To Event Photographers receive the rebate, the group must register and submit their organization profile, business permit, SEC/BIR registration and signed memorandum of agreement (MoA).

In addition to the rebates, Canon will be giving an additional prize of P100,000 in cash for the photo club who credits the highest amount of rebates.  “We launched this in 2007 and acceptance and support for the community was overwhelming. We decided to extend our Ambassador Program until June 2008 to give more photo clubs and Event Photographers organizations a chance to raise funds for their groups,” added Arteficio.

Just recently, Canon turned over rebates amounting PhP128,195.00 to Pinoy Photographers Org or PiPho, who will be using the funds for their annual Christmas party at the end of the year as well as for Event Photographers their regular out-of-town shoots and trainings.

Tags: , , , , , , , , , , , , , , , , , , , ,

Related posts

Archives

April 2008
M T W T F S S
« Mar   May »
 123456
78910111213
14151617181920
21222324252627
282930  

Other

Syndication